Who sings voodoo child

Who sings voodoo child DEFAULT
  • This was recorded after Jimi Hendrix finished the long, slow blues of "Voodoo Chile," a minute jam that appears earlier on the Electric Ladyland album. An ABC film crew came into the studio to do a piece on The Experience and told them to "make like you're playing, boys." Jimi said, "Okay, let's do this in E." The TV footage was lost, but their impromptu jam gave them the song "Voodoo Child (Slight Return)."

  • Stevie Ray Vaughan covered "Voodoo Child (Slight Return)" on his Couldn't Stand the Weather album, and numerous guitar virtuosos carry out extended versions at their own concerts. Steve Vai, Joe Satriani, and John Petrucci played a version on their G3 tour.

  • This was one of several standout wah-wah popularized songs, alongside Cream's "White Room" and Isaac Hayes' "Theme from 'Shaft'." Hendrix was considered a master of the wah-wah pedal, and this track earned him the #1 spot on Guitar World's greatest wah solos of all time list in >>

    Suggestion credit:
    Eddie - Lachine, MI, for all above

  • In , this was released as a single in the UK a week after Hendrix died. It became his only #1 hit.

  • "Voodoo Child" was the last song Hendrix performed live. On September 6, , which was 12 days before his death, he played it at a concert in Germany.

  • Hendrix dedicated the album to his groupies, who he called "Electric Ladies."

  • Steve Winwood played organ on this. He was a member of the band Traffic, and often played on the same bill with Hendrix. When Jimi was recording this in New York, he had Winwood come by and play.

  • The legendary jazz artist Miles Davis admits being influenced by this song when he made his album Bitches Brewin One of the songs on that album is called "Miles Runs His Voodoo Down." >>

    Suggestion credit:
    Mason - Greenville, NC

  • On the Live at Fillmore East version, Jimi says: "This is the Black Panthers' national anthem."

  • In , "Voodoo Child" was voted the best guitar riff in rock and roll history by readers of MusicRadar. The website wrote: "From its wah-wah into the rhythm parts and the astonishing solo, this is still regarded by many as the high watermark of electric guitar expression." Guns N' Roses' "Sweet Child o' Mine" came second in the poll and Led Zeppelin's "Whole Lotta Love" third.

  • The original album cover was adorned with naked women, but the ensuing controversy prompted the label (Reprise Records) to swap it out for a photo of Hendrix. The musician wasn't pleased with either version; he wanted to bring in photographer Linda Eastman, who would be more famously known as Linda McCartney, to shoot the cover, but the label nixed the idea.

  • Thanks to a studio engineer's error on the master tape's label, the album was nearly called "Electric Landlady." >>

    Suggestion credit:
    Bertrand - Paris, France, for above 2

  • Sours: https://www.songfacts.com/facts/jimi-hendrix/voodoo-child-slight-return

    Voodoo Child (Slight Return) by The Jimi Hendrix Experience

    Versions

    Title Performer Release date Info
    Voodoo Child (Slight Return)The Jimi Hendrix ExperienceSeptember 16, First release
    Voodoo ChileTop of the PopsNovember
    Hendrix MedleySoft CellFebruary
    Voodoo Chile (Slight Return)Stevie Ray Vaughan and Double TroubleMay 15,
    Voodoo ChileThe MembranesApril
    Voodoo ChileDivididosNovember 15,
    Voodoo ChileJesus JonesOctober Charity
    Voodoo ChileWicked LadyReleased more than 10 years after its recording
    Voodoo Child (Slight Return)Melvin Taylor & The Slack BandOctober 17,
    Voodoo Child (Slight Return)The HamstersLive
    Voodoo ChileRobert LucasAugust 1,
    Voodoo ChileBen Harper
    Voodoo ChileThe King
    Voodoo Child (Slight Return)Angélique Kidjo
    Voodoo ChildSimone Felici - Giorgio Cavalli
    Voodoo ChildOut of PhaseJuly 31,
    Voodoo ChileWolfgang
    Voodoo ChileGov't MuleOctober 7,
    Voodoo ChileHiram BullockOctober 21,
    Voodoo Chile (Slight Return)Anne McCue
    Voodoo Child (Slight Return)Harry Manx & Kevin Breit
    Voodoo Child (Slight Return)Axel Bauer
    Voodoo ChildRhythm Pigs
    Voodoo Child (Slight Return)Iris [RO]Unverified
    Voodoo Child (Slight Return)Earth, Wind & FireMay 4,
    Voodoo Child (Slight Return)Clas Yngstrom Trio
    Voodoo ChileClas Yngstrom Trio
    Voodoo ChildAngelique Kidjo, Buddy Guy and Vernon Reid
    Voodoo ChileThe Hot Rod GangFebruary 15,
    Voodoo ChildDoran - Stucky - Studer - Clarke
    Voodoo ChildTérez Montcalm
    Voodoo Child (Slight Return)Amanda
    Voodoo ChileMina AgossiFebruary
    Voodoo Child (Slight Return)Rudy KronfussMay
    Voodoo ChildPhil Brown [US1]
    Voodoo ChileSusheela RamanAugust 27,
    Voodoo ChileGabriel RiosNovember 22,
    Voodoo ChildHarry Manx & Friends
    Voodoo Child (Slight Return)Francesco Garolfi
    Voodoo ChildJarek Śmietana Band
    Voodoo Child (Slight Return)Anni Piper
    Voodoo ChildBlug
    Voodoo Chile (Slight Return)Josh Charles
    Voodoo Child (Slight Return)Geoffrey Castle
    Voodoo Child (Heavy Return)Lightnin' GuyOctober 22,
    Voodoo Child (Slight Return)Gary Moore
    Voodoo ChildMitch Ryder feat. EngerlingLive
    Voodoo Child (Slight Return)ElderJuly 3,
    Voodoo Child (Slight Return)Benji KirkpatrickSeptember 18,
    Voodoo Child (Slight Return)Kevin Davy WhiteNovember 26,
    Voodoo Child (Slight Return)Steve HillMay
    Voodoo Child (Slight Return)Steve 'n' Seagulls
    Voodoo Child (Slight Return)Dug Pinnick
    Sours: https://secondhandsongs.com/performance/
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    Voodoo Child (Slight Return)

    Song written by Jimi Hendrix

    For the studio jam song with Winwood and Casady, see Voodoo Chile.

    single by the Jimi Hendrix Experience

    "Voodoo Child (Slight Return)" is a song recorded by the Jimi Hendrix Experience in that appears as the final track on the Electric Ladyland album released that year. It contains improvised guitar and a vocal from Jimi Hendrix, backed by Noel Redding on bass and Mitch Mitchell on drums. The song is one of Hendrix's best known; it was a feature of his concert performances throughout his career, and several live renditions were recorded and released on later albums.

    After his death in , Track Records released the song as a single in the United Kingdom using the title "Voodoo Chile" (see confusion over title). It became Hendrix's only number one single on the UK Singles Chart, reaching the top position during the week of November 15, [5] Several artists have performed or recorded versions of the song. Rolling Stone magazine included it at number on their list of the " Greatest Songs of All Time".

    Origins and recording[edit]

    "Voodoo Child (Slight Return)" was developed from "Voodoo Chile", recorded May 2, , during a studio jam with Steve Winwood on organ and Jack Casady on bass. The next day, Hendrix returned to the studio with Redding and Mitchell for the filming of a short documentary by ABC television. Noel Redding explained, "We learned that song in the studio&#; They had the cameras rolling on us as we played it". Hendrix added,

    [S]omeone was filming when we started doing [Voodoo Child]. We did that about three times because they wanted to film us in the studio, to make us—'Make it look like you're recording, boys'—one of them scenes, you know, so, 'OK, let's play this in E, a-one, a-two, a-three', and then we went into 'Voodoo Child'.

    According to Hendrix biographer Steven Roby, eight takes of the song were recorded by Hendrix, Redding, and Mitchell, and the final one was chosen as the master, which appeared on Electric Ladyland.

    Lyrics and interpretation[edit]

    Author Charles Shaar Murray examines Hendrix's use of the term "Voodoo Child" in his book Crosstown Traffic:

    Voodoo symbolism and reference resound through the country blues, and through the urbanized electric country blues of the Chicago school&#; In Hendrix's case, this is pure metaphor. He certainly was not a Voodoo initiate in any formal sense&#; Both with 'Voodoo Chile'—and, most specifically, with the West African even-before-Bo-Diddley beat he percussively scratches from his guitar and wah-wah pedal at the beginning of 'Voodoo Chile (Slight Return)' [sic]—he is announcing as explicitly as possible that he is a man of the blues, and one who honours, respects and understands its deepest and most profound traditions".

    Except for the chorus, the lyrics of "Voodoo Child (Slight Return)" are different from "Voodoo Chile":

    Well I stand up next to a mountain, and I chop it down with the edge of my hand (2×)
    Well I pick up all the pieces and make an island, might even raise just a little sand
    'Cause I'm a voodoo child, Lord knows I'm a voodoo child

    During a January 1, , performance with the Band of Gypsys, Hendrix introduces the song as the "Black Panthers' national anthem" (included on the album Live at the Fillmore East). At the time, he was being pressured to make a statement about racial issues in the U.S.

    Live recordings[edit]

    "Voodoo Child (Slight Return)" became a staple of Hendrix's concert performances, varying in length from seven to eighteen minutes.[12] Recordings from the Winterland Ballroom, Royal Albert Hall, Woodstock, and the Fillmore East were later released on The Jimi Hendrix Concerts, Hendrix in the West, Woodstock, and Live at the Fillmore East. Many more recordings have also been issued[12] (see List of songs recorded by Jimi Hendrix § Voodoo Child (Slight Return)).

    Critical reception and recognition[edit]

    An AllMusic reviewer described the song as "a perfect example of how Hendrix took the Delta blues form and not only psychedelicized it, but cast an even more powerful spell by delivering the lyric in the voice of a voodoo priest".[1] Also noted is Hendrix's guitar work: "Opening with a simple riff on the wah-wah pedal, the song explodes into full sonic force, the guitarist hitting the crunching chords and taking the astral-inspired leads for which he became infamous. The real guitar explorations happen midway through the song, while the basic, thundering riff is unrelenting".[1]

    Joe Satriani said of the song: "It's just the greatest piece of electric guitar work ever recorded. In fact, the whole song could be considered the holy grail of guitar expression and technique. It is a beacon of humanity."[13]Rolling Stone magazine included the song at number on their list of the Greatest Songs of All Time.[4] A variety of musicians have recorded "Voodoo Child (Slight Return)", sometimes as "Voodoo Chile (Slight Return)" or shortened to "Voodoo Child".[14]

    Certifications[edit]

    See also[edit]

    Notes[edit]

    1. ^ abcdSullivan, Denise. "Jimi Hendrix: Voodoo Child (Slight Return) – Song Review". AllMusic. Retrieved June 3,
    2. ^From the Electric Ladyland liner notes ( international Polydor edition)
    3. ^ abRolling Stone (April 7, ). "The Greatest Songs of All Time". Rolling Stone.
    4. ^"Official [U.K.] Singles Chart Top 15 November –21 November ". Official Charts. Retrieved August 3,
    5. ^ ab"Jimi Hendrix: Voodoo Child (Slight Return) – Variations". AllMusic. Retrieved June 3,
    6. ^The MusicRadar team (September 18, ). "Jimi Hendrix's 11 greatest tracks". MusicRadar. Retrieved July 13,
    7. ^"Voodoo Child – Also performed by". AllMusic. Retrieved June 3,
    8. ^"British single certifications – Jimi Hendrix Experience – Voodoo Child (Slight Return)". British Phonographic Industry. Retrieved March 27,

    References[edit]

    • Fowles, Paul (). Concise History of Rock Music. Mel Bay. ISBN&#;.
    • Henderson, David (). 'Scuse Me While I Kiss the Sky: The Life of Jimi Hendrix. Bantam Books. ISBN&#;.
    • Hendrix, Janie (). Jimi Hendrix: The Lyrics. Milwaukee, Wisconsin: Hal Leonard. ISBN&#;.
    • McDermott, John; Kramer, Eddie; Cox, Billy (). Ultimate Hendrix. New York City: Backbeat Books. ISBN&#;.
    • Murray, Charles Shaar (). Crosstown Traffic. New York City: St. Martin's Press. ISBN&#;.
    • Roby, Steven (). Black Gold: The Lost Archives of Jimi Hendrix. New York City: Billboard Books. ISBN&#;.
    • Shapiro, Harry; Glebbeek, Cesar (). Jimi Hendrix: Electric Gypsy. New York City: St. Martin's Press. ISBN&#;.
    Sours: https://en.wikipedia.org/wiki/Voodoo_Child_(Slight_Return)

    Voodoo Chile

    For the Jimi Hendrix Experience song, see Voodoo Child (Slight Return).

    song by the Jimi Hendrix Experience

    "Voodoo Chile" is a song written by Jimi Hendrix and recorded in for the third Jimi Hendrix Experience album Electric Ladyland. It is based on the Muddy Watersblues song "Rollin' Stone", but with original lyrics and music. At 15 minutes, it is Hendrix's longest studio recording and features additional musicians in what has been described as a studio jam.

    "Voodoo Chile" was recorded at the Record Plant in New York City, after a late night jam session with Hendrix, Experience drummer Mitch Mitchell, organist Steve Winwood, and bassist Jack Casady. The song became the basis for "Voodoo Child (Slight Return)", recorded by the Experience the next day and one of Hendrix's best-known songs.

    "Chile" is a phonetic approximation of "child" without the "d". In the UK, "Voodoo Chile" was also used as the title of the single release of "Voodoo Child (Slight Return)", which has caused confusion regarding the two songs.

    Background and lyrics[edit]

    "Voodoo Chile" evolved from "Catfish Blues", a song that Hendrix performed regularly during and early "Catfish Blues" was a homage to Muddy Waters, made up of a medley of verses based on Waters' songs, including "Rollin' Stone", "Still a Fool", and "Rollin' and Tumblin'".[a] In April , Hendrix recorded a number of solo demos in a New York hotel, including an early "Voodoo Chile",[b] which he had been developing for some time. It used elements of "Catfish Blues" with new lyrics by Hendrix and included a vocal and guitar unison line.

    Music critic Charles Shaar Murray describes "Voodoo Chile" as "virtually a chronological guided tour of blues styles" ranging from early Delta blues, through the electric blues of Muddy Waters and John Lee Hooker, to the more sophisticated style of B.B. King, and the "cosmic blurt" of John Coltrane. Lyrically, he adds, the song is "part of a long, long line of supernatural brag songs". Hendrix's song opens with:

    Well the night I was born, Lord I swear the moon turned a fire red (2×)
    Well, my poor mother cried out, 'Lord, the gypsy was right', an' I see'd her fell down right dead

    "Hoochie Coochie Man", the Muddy Waters/Willie Dixon blues classic, opens:

    The gypsy woman told my mother, before I was born
    'You got a boy child comin', goin' be a son of a gun'

    Several of the verses tell of different animals and what they did, following a well established blues tradition.[8] In later verses, Hendrix, a fan of science fiction, adds references to "the outskirts of infinity" and "Jupiter's sulfur mines". Music writer John Perry said of the concept behind the song that it "blends two of Jimi's great loves, Chicago blues and science fiction—interstellar hootchie kootchie."

    The "chile" in the title and lyrics is a phonetical approximation of "child" pronounced without the "d", a spelling that was also used for Hendrix's song "Highway Chile".

    Recording and composition[edit]

    During the Electric Ladyland recording sessions at the Record Plant, Hendrix and the band often jammed with other performers at New York City clubs. After one such jam at the nearby the Scene club, Hendrix brought a group of about 20 people to the studio. This practice of inviting large groups to the studio led Noel Redding to storm out of the Record Plant earlier that evening and he was not present during the recording of "Voodoo Chile".[12] Organist Steve Winwood from Traffic, bassist Jack Casady from Jefferson Airplane, and jazz guitarist Larry Coryell were among those present. Although Coryell was invited to play, he declined and Hendrix proceeded to record "Voodoo Chile" with Mitchell, Winwood, and Casady. The remainder were on hand to provide the ambient crowd noise.

    Winwood recalled, "There were no chord sheets, no nothing. He [Hendrix] just started playing. It was a one-take job, with him singing and playing at the same time. He just had such mastery of the instrument and he knew what he was and knew his abilities". Despite the appearance of spontaneity, engineer Eddie Kramer said that such sessions were not informal. "Jimi plotted and planned out nearly all of them. He'd reason that if he had his songs together, if he really wanted to pull out what he heard in his head, he needed the right people&#; and that's what he did". During the recording session, Hendrix is heard advising Winwood on his organ part.

    Recording began about &#;am and three takes were recorded, according to biographer John McDermott and Kramer. During the first take, Hendrix showed the others the song while the recording equipment was adjusted. During the second take, Hendrix broke a string (these two takes were later edited together and released as "Voodoo Chile Blues" on the posthumous Hendrix compilation album Blues). The third take provided the master that was used on Electric Ladyland. Music writer John Perry claims there were at least six takes recorded, but several were incomplete.

    "Voodoo Chile" opens with a series of hammer-on notes, similar to Albert Collins' intro to his "Collins Shuffle". Hendrix played through a Fender Bassman top, providing a "very warm" amp sound with his guitar tuned down a whole tone. Although Hendrix's vocal and guitar are featured, the other musicians make contributions, taking it beyond the blues. McDermott describes Winwood's mid-song organ part as "a very English, hornpipe-like dance that was very Traffic-like". However, Perry calls it a "modal, raga-like phrase", which Hendrix responds to by "improvising a mixed blues/eastern scale". Mitchell anticipates changes in direction and Casady provides a pulsing, solid foundation.[19] At fifteen minutes, it is Hendrix's longest studio recording.

    Hendrix wanted to create the atmosphere of an informal club jam, but the recording did not capture sufficient background noise. So the onlookers provided additional crowd sounds, which were recorded from &#;am to &#;am. Hendrix and Eddie Kramer later mixed the track, adding tape delay and other treatments.

    Although many live recordings of "Voodoo Child (Slight Return)" have been issued, only the three takes of the original studio jam, "Voodoo Chile", are known to exist. A composite of the first two takes is included on the Blues album.

    "Voodoo Child (Slight Return)"[edit]

    The day after recording "Voodoo Chile", Hendrix with Mitchell and Noel Redding returned to the studio for the filming of a short documentary. Rather than repeat what had been recorded the day before, they improvised on "Voodoo Chile", using some of the imagery and guitar lines. As Redding recalled: "We learned that song in the studio&#; They had the cameras rolling on us as we played it". The song became "Voodoo Child (Slight Return)", one of Hendrix's signature songs, and has been covered by numerous artists. Both songs were released on the Electric Ladyland album.

    Confusion over title[edit]

    Jimi Hendrix occasionally used different names and spellings for some of his songs. In his handwritten lyrics, he used "Voodoo Chile" for the longer song, while he used both "Voodoo Chile (Slight Return)" and "Voodoo Child (Slight Return)" for the following one recorded with the Experience. In his handwritten album notes for Electric Ladyland sent to his record company, he listed the songs as "Voodoo Chile" and "Voodoo Child (Slight Return)"; when the album was released in the US by Reprise Records on October 16, , these spellings for the two songs were used.[24] When the album was subsequently released by Track Records in the UK, the songs were listed as "Voodoo Chile" and "Voodoo Chile (Slight Return)".[25] In , the "(Slight Return)" song was released as a single in the UK and it was simply titled "Voodoo Chile", without the further designation.[26] Later album reissues usually follow the Reprise or Track album spellings, depending on the country of origin.

    Notes[edit]

    Footnotes

    Citations

    References

    • Black, Johnny (). Jimi Hendrix: The Ultimate Experience. New York City: Thunder's Mouth Press. ISBN&#;.
    • Brown, Tony (). Jimi Hendrix: A Visual Documentary: His Life, Loves and Music. Omnibus Press. ISBN&#;.
    • Fairchild, Michael J. (). Jimi Hendrix: Blues (CD booklet). Jimi Hendrix. New York City: MCA Records. MCAD
    • Green, Martin; Sienkiewicz, Bill (). Voodoo Child: The Illustrated Legend of Jimi Hendrix. Kitchen Sink Press. ISBN&#;.
    • Hendrix, Janie (). Jimi Hendrix: The Lyrics. Milwaukee, Wisconsin: Hal Leonard. ISBN&#;.
    • Herzhaft, Gerard (). "Catfish Blues, Rollin' and Tumblin'". Encyclopedia of the Blues. University of Arkansas Press. ISBN&#;.
    • McDermott, John; Kramer, Eddie; Cox, Billy (). Ultimate Hendrix. New York City: Backbeat Books. ISBN&#;.
    • Murray, Charles Shaar (). Crosstown Traffic. New York City: St. Martin's Press. ISBN&#;.
    • Perry, John (). Jimi Hendrix's Electric Ladyland. New York City: Continuum Books. ISBN&#;.
    • Roby, Steven; Schreiber, Brad (). Becoming Jimi Hendrix. Cambridge, Massachusetts: Da Capo Press. ISBN&#;.
    • Shadwick, Keith (). Jimi Hendrix: Musician (1st.&#;ed.). San Francisco: Backbeat Books. ISBN&#;.
    Sours: https://en.wikipedia.org/wiki/Voodoo_Chile

    Child voodoo who sings

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    Rogue Traders - Voodoo Child (Video)

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    I don't want you to satisfy yourself at night, and if you don't do what I said now, I will whip you. " And so you deserve only one. Blow for disobedience. Your choice. Beast, - I growled, but there was nowhere to go.



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