What is spirit cooking

What is spirit cooking DEFAULT

Report: Clinton Linked to Satanic Rituals Involving Kidnapped Children and Marina Abramovic

The GOP’s decision to crown the birther king as its standard-bearer was an unprecedented triumph for the far-right fever swamp. But it also presented the media personalities who populate that infotainment complex with an unprecedented challenge: In a world where the Republican nominee raves about elections rigged by international bankers, calls for his political rival’s imprisonment (in between joking about her assassination), and insinuates that Barack Obama is in cahoots with ISIS, how, precisely, is an info-warrior supposed to retain his outsider’s edge?

The answer, apparently, is to abandon conspiracy theories that merely span the entire globe, and embrace ones that extend into paranormal realms.

Last month, Trump surrogate and InfoWars host Alex Jones revealed that Hillary Clinton is not simply an especially craven member of the Illuminati, but rather, a literal demon birthed in the bowels of hell.

“She is an abject, psychopathic, demon from hell that as soon as she gets into power is going to try to destroy the planet,” Jones explained. “I mean, I was told by people around her that they think she’s demon-possessed, okay … They say, listen, Obama and Hillary both smell like sulfur … And they say listen, she’s a frickin’ demon and she stinks and so does Obama. I go, like what? Sulfur. They smell like hell.”

Jones has always been a bit of oddball, even among the guns, gold, and food-insurance purveying crew (few right-wing radio hosts are as comfortable playing on “9/11 was an inside job” terrain).

But on Friday, the Drudge Report — along with less-well-known conservative sites Danger and Play and Conservative Outfitters — joined InfoWars in the realm of quasi-theological conspiracy theorizing by covering the “most disturbing email leaked from Hillary Clinton’s inner circle.”

If you’re wondering why the Drudge Report thinks Clinton campaign chairman John Podesta practices black magic, the short answer is: World-renowned performance artist Marina Abramovic once invited him to dinner.

As for the long answer: Late Thursday night, someone discovered this dispatch from the latest WikiLeaks dump of Podesta’s hacked emails:

Dear Tony,

I am so looking forward to the Spirit Cooking dinner at my place.

Do you think you will be able to let me know if your brother is joining?

All my love,

Marina

The Tony addressed here is John’s brother, a powerful lobbyist and, as Spin’s Andy Cush notes, a prominent collector of contemporary art. The message here is, ostensibly, a dinner invitation that makes playful reference to one of Abramovic’s past works.

But the title of that work made the far-right’s hair rise beneath its tin-foil hat: According to InfoWars, “Spirit Cooking,” refers to “a sacrament in the religion of Thelema,” which was founded by alleged “satanist Aleister Crowley.” (This definition was sourced from Everipedia).

WikiLeaks, for its part, encouraged such sinister interpretations.

In fact, “Spirit Cooking” is the name of a series of etchings Abramovic debuted in the mid-’90s, which included absurdist recipes featuring such ingredients as “fingertips of the artist” and “a ruby that has been soaking for three days.”

To its credit, InfoWars does intimate that this famous performance artist’s occult recipes may, perhaps, be performance-art-related, noting that “Spirit Cooking” involves “an occult performance during which menstrual blood, breast milk, urine, and sperm are used to create a ‘painting’.”

Alt-right blogger Mike Cernovich, however, sees through that flimsy alibi, explaining that Abramovic’s “Spirit Cooking” is not done for the edification of museumgoers, but for the titillation of those who attend the Clintons’ “sex-cult rituals.” And while you might be skeptical of that claim, Cernovich has video proof:

Those brainwashed by hoaxing media will find this outrageous, until they watch the video from a 1997 “performance.” Occult symbolism, as I’ve reported on extensively, is done openly to taunt the public. It’s a form of power and control. Secret Societies do not want to remain secret.

Some may look at that video and see a piece of late-’90s performance art. Others, apparently, see a secret society mocking conservatives by rubbing their noses in its satanic deviance (under the guise of self-expression).

The latter view fits the Abramovic email into a broader far-right theory that, hidden in the seemingly mundane WikiLeaks’s missives, are coded instructions pertaining to the Clinton’s secret child-sex ring.

It’s hard not to think some of this stuff is tongue in cheek. But then, a year and a half ago, “Donald Trump for president” also sounded like a joke. Regardless, if far-right media is forced to keep outflanking a Trumpist GOP, its most impressionable audience members are going to be at a high risk for psychosis.

Report: Clinton Linked to Satanic Ritual, Marina AbramovicSours: https://nymag.com/intelligencer/2016/11/spirit-cooking-explained-satanic-ritual-or-fun-dinner.html

Now that the election is over, we're looking back at one of the most bizarre topics that surfaced from the campaign. Days before the election, Wikileaks released a batch of emails containing a note from performance artist Marina Abramovic to Tony Podesta, brother of Hillary Clinton's campaign chairman John Podesta, and set off a strange chain reaction of accusations that tied Clinton and Podesta to the occult and Satan worshipping from the alt-right. James Westcott, Abramovic's biographer and the author of  When Marina Abramovic Dieswrites this post to clear the air.

BREAKING FAKE NEWS Clinton’s campaign manager participates in occult ritual with bizarre Balkan satanist…

Of all the crazy tales fabricated in this election, this one might have been the most insane. Not just for the paranoid conspiracy posited by the alt-right—Clinton’s satanic network—but for the fact that a performance artist, Marina Abramovic, found herself tossed into the hollow core of the nation’s election news cycle. Enduring decades of obscurity in a tiny artworld niche, Abramovic may have been elevated to A-list celebrity aftåer her MoMA performance The Artist Is Present in 2010, but to now show up on the alt-right’s radar is a whole other level of fame.

Just to recap what happened: an email Abramovic wrote to her longterm friend and collector Tony Podesta showed up in a wikileaks stash. In the email, Abramovic invited Podesta’s brother John, now Hillary Clinton’s campaign manager, to join them at a “Spirit Cooking” dinner in her apartment in New York. Infowars reported what they thought Abramovic’s “Spirit Cooking” is and concluded that she and Clinton’s retinue are straight-up Satanists.

For the record: Spirit Cooking is nothing but a little-known (and, measured in her ouvre, a rather throwaway) performance Abramovic did in an Italian gallery in 1996, in which she painted apparent instructions on the white wall with pigs blood. Instructions like: “with a sharp knife cut deeply into the middle finger of your left hand eat the pain.” She also painted a small kind of icon in the corner with the blood too. It’s pretty repulsive and rather luridly aims to shock but it’s also clearly not serious. Abramovic also published a Spirit Cooking cookbook, containing comico-mystical, self-helpy instructions like: “spit inside your naval / until the lake is filled / lie motionless / listen to the heartbeat / of a dog.” You’re not really meant to actually do these things. As Abramovic said at London’s Royal Festival Hall last night in a launch event for her new memoir Walk Through Walls, it’s just poetry.

Spirit Cooking later evolved into a form of dinner party entertainment that Abramovic occasionally lays on for collectors, donors, and friends. That’s where John Podesta comes in—or doesn’t, since he never actually attended the dinner, where anyway guests simply made soup, not out of blood or any other bodily fluid, while overseen by Abramovic in full-on comedy schoolmarm mode.

They probably made a “golden ball” too, a recipe given to her by Tibetan monks after a meditation retreat in northern India. A golden ball is supposed to be eaten after a long period of fasting and meditation. I’ve had one, at the end of a “workshop” she gave to her students—I was her assistant at the time—in Andalusia in 2005. A golden ball consists, precisely, of seven almonds, three coriander seeds, two black peppercorns, one white peppercorn, and a dribble of honey, all ground together and wrapped in a sheet of 24 carat gold leaf. It was delicious, but I was confident that I wasn’t going to become a Buddhist by eating it.

Having known Marina for fourteen years now, and having written a biography, I don’t think she’s ever actually worshipped anything. What she has done is graze world religions and esoteric spiritual practices as source material for experimental performances and as meditation tools to salve her bottomless emotional pain. She essentially takes the spiritual and squeezes it into the purely bodily. It’s all about the management of stimulations, deprivations, and aesthetics to achieve—in a down-to-earth cause and effect way—certain physical effects and mental states. She kind of believes in everything—and therefore, in a way, in nothing. Except the power of the body.

The literalism of the alt-right’s interpretation of the Spirit Cooking dinner recalls the culture wars of the 80s and 90s, where the line between representation and advocacy, between artifice and reality, got blurred… and apparently never got back into focus for some. Since the 1980s, Abramovic has spent months in retreat at Buddhist monasteries in Northern India—does that make her a Buddhist? She’s also spent months with Aborigines in Australia—does that make her a shaman adept in reading Songlines and recalling the Dreamtime? She habitually performs numerological readings on new people she meets, breaking down their date of birth to a single significant number—does that make her a Hindu mystic? She’s twirled with Sufis—so is she one? She’s suspended herself from wires in homage to the levitations of Saint Teresa of Avila—does that make her a Christian? She’s stared at snakes for hours and sat determinedly still while a python wrapped itself around her head and neck—does that make her a snake charmer? She’s knelt down face to face with a donkey, gazing into its eyes while trying to telepathically communicate with it—does that make her… Dr. Doolittle? She’s lived with quartz miners in Brazil—does that make her a miner too? She’s milked goats in Istria and helped make cheese—does that make her a dairy farmer?

Maybe it makes perverse sense, since the mission of the alt-right is to “reveal” reality as a lie, that they would also convert artifice—in Abramovic’s case, performance—into cold hard fact. But this confusion of performance and reality, experiment and faith, does inadvertently point towards something curious and essential about Abramovic: she’s simultaneously utterly sincere and totally comedic. To neophytes she may well look like a convincing modern day witch. But it doesn’t take much googling to surmise that this is also performance in the traditional sense of the word, and that in reality she’s funny, frivolous, and game for anything—in her own words, she’s a lover of “bullshit” like celebrity and fashion.

Probably it’s only possible to throw yourself headlong into the type of activities she does with a strong taste for the absurd. At the end of the workshop in Andalusia I was surprised when, after five days of starvation and detoxification of the body and the psyche, Marina cracked open a can of caffeine, sugar, and artificial color-filled Fanta one morning. When I joked with her that she was undoing all that detoxification in a stroke, she said rapturously “Baby, come on, the Fanta is beyond!”

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Marina Abramovic's Spirit Cooking

Marina Abramovic’s Spirit Cooking

https://mitpress.mit.edu/blog/marina-abramovic%E2%80%99s-spirit-cooking

Sours: https://mitpress.mit.edu/blog/marina-abramovic%E2%80%99s-spirit-cooking
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Marina Abramovic Just Wants Conspiracy Theorists to Let Her Be

“I am an artist, not a Satanist,” the performance artist said after an online outcry prompted Microsoft to take down a video of her. It’s not the first time she’s faced the accusation.

On April 10, Microsoft uploaded a film to its YouTube account about Marina Abramovic, the Serbian performance artist known for pushing her body to the limit.

Ms. Abramovic’s work can be violent, sometimes bloody, but the Microsoft video was more innocuous: It was focused on “The Life,” in which museumgoers wear special headsets so that Ms. Abramovic seems to appear before them.

The video was essentially some P.R. fluff for the tech company’s role in the artwork, which is scheduled to be auctioned by Christie’s in October. But in one corner of the internet, it was seen as something else entirely: evidence of a Satanist conspiracy.

Soon after the film appeared, it was being discussed in those terms on Reddit and other social media platforms. An article on the conspiracy theory website Infowars accused Microsoft of working with a “witch,” a “black magic performer” and a “Luciferian individual.”

As the online clamor escalated, the YouTube clip racked up more than 24,000 dislikes. Microsoft took it down on April 14. “We recognize that our association with this project served as a catalyst for online attacks,” a Microsoft spokeswoman said in an email.

Ms. Abramovic said in a telephone interview that she was not consulted before Microsoft took the video down, adding that she had rarely spoken about her treatment by conspiracy theorists because she did not want to encourage them. She is breaking that silence now, she said, because she is fed up.

“I need to open my heart,” Ms. Abramovic said. “I really want to ask these people, ‘Can you stop with this? Can you stop harassing me? Can’t you see that this is just the art I’ve been doing for 50 years of my life?’”

The conspiracy theory goes back to October 2016, when WikiLeaks released hacked emails from the account of John Podesta, then the chairman of Hillary Clinton’s presidential campaign. The emails included one from Ms. Abramovic, in which she discussed Mr. Podesta’s invitation to a “Spirit Cooking” dinner at her home.

Someinternet users saw this as evidence that tied Ms. Abramovic to a wider conspiracy known as #PizzaGate, in which Mr. Podesta was said to be involved in a child-trafficking ring run out of a pizza parlor.

Ms. Abramovic said the “Spirit Cooking” dinner, which had the same name as a book and a performance in which she painted absurd recipes in blood on the walls of an Italian gallery, actually involved her cooking a few simple dishes for about 20 people who had donated to her art institute.

“We had lots of fun,” she said. “There was no human blood, or baby serving, or sex orgies.” So when the conspiracy theories started popping up, Ms. Abramovic said, she thought it was “just insane.”

“I am an artist, not a Satanist!” she said.

Ms. Abramovic said she expected the rumors to last a few weeks, at most, then disappear. Four years later, they haven’t.

Since then, Ms. Abramovic has received many emailed death threats — sometimes three a day, she said. The organizers of some of her shows had also received threats, she added, including the Royal Academy in London, where she is scheduled to have a retrospective this year, and the Bavarian State Opera in Munich, where she is hoping to stage a new opera.

On the same day Microsoft released its video, a group of conspiracy-minded filmmakers uploaded a 78-minute film to YouTube called “Out of Shadows,” which resurfaced all the old claims about Ms. Abramovic, and also suggested that she had used mind-control techniques on Lady Gaga, the pop star. That video has since been viewed more than nine million times.

Ms. Abramovic said she was most hurt by how the conspiracy theorists took images from her work and twisted the meaning to bolster their case. Among those images, she said, was a picture of her sitting on a pile of bloody cow bones. The image was from “Balkan Baroque,” a work that Ms. Abramovic performed at the 1997 Venice Biennale, where she won the Golden Lion for Best Artist.

In that piece, she spent five days in a sweltering Venice basement, trying in vain to scrub the bones clean. It was a comment on the Balkan wars of the 1990s, Ms. Abramovic said, and how, once blood is spilled, you can’t wash it off your hands.

“How can this be satanic?” she said. “Tell me!”

Another image used repeatedly shows Ms. Abramovic holding a bloody ram’s head: This photograph was taken from a 2014 photo shoot for Vogue magazine’s Ukraine edition, and was intended as a comment on that country’s war, she said. (This one did “look like something out of a satanic movie,” she said with a laugh, but that was clearly not the intention.)

Conspiracy theorists have even used some of Ms. Abramovic’s oldest, most renowned works to bolster their case, including one in which she lay down in a flaming five-pointed star, and another where she carved that shape into her stomach. Ms. Abramovic said the stars were meant to invoke a Communist symbol she had grown up with in Yugoslavia, not a satanic pentagram.

The online harassment hadn’t impacted her professionally, Ms. Abramovic said, since “the people who really have common sense in this business see this as nonsense.” But the threats have taken a toll on her private life. “I am personally afraid that any kind of lunatic with a gun will come and shoot me, because they think I’m a Satanist,” she said.

Last year, religious protesters picketed the opening of a retrospective of Ms. Abramovic’s work in Poland. And, in 2018, an artist smashed a painting over her head at an exhibition opening in Florence, Italy, though this appeared to be unrelated to any conspiracy theories. (Ms. Abramovic’s attacker told her it was a piece of performance art.)

Ms. Abramovic said she had considered taking defensive measures: She said she consulted lawyers on April 17 about suing Alex Jones, the founder of Infowars, over articles about her on the site. “He’s making money from hurting innocent people,” she said. But she ultimately decided any action would be too expensive and take years.

“All I want to know is how I can overcome this and have a positive outcome,” she said. “Fear is the worst human emotion.”

Ms. Abramovic added that perhaps if the people attacking her really engaged with her work, they would see that their view was mistaken.

Thousands of people came to see her 2010 work “The Artist Is Present” at the Museum of Modern Art in New York, Ms. Abramovic said, often waiting hours for the opportunity to stare into her eyes. Many found the experience moving, she added.

She added that she would be willing to let the conspiracy theorists sit opposite her, too, if it would help them understand her work.

But even that might not help. “Their energy is driven by conspiracy theory,” she said. “They don’t have another theory to replace it.”

Sours: https://www.nytimes.com/2020/04/21/arts/design/marina-abramovic-satanist-conspiracy-theory.html

The #spiritcooking effect: How junk news goes viral and influences an election

“And people, if they just repeat attacks enough, and outright lies over and over again, as long as it’s on Facebook and people can see it, as long as it’s on social media, people start believing it…. And it creates this dust cloud of nonsense.” – Barack Obama, 7 November 2016.

In the good ol’ days, a conspiracy theory would bubble under the surface for years. If it was a particularly good one it would eventually break into the public view, where it would be analysed properly and a) dismissed out of hand or b) lead to the overthrow of X government, Y dictator or Z executive.

In today’s 24-hour news cycle, dominated by an always-on social media agenda, a conspiracy theory can come and go in a flash. But in this new intense consumption pattern, these conspiracies now have the ability to make a very big impact very quickly. To paraphrase the famous Neil Young quote, they now tend to burn out rather than fade away.

So was the case with the very peculiar #spiritcooking conspiracy cooked up by the US right wing press in the run up to election day.

If you’re unfamiliar with Spirit Cooking, you either haven’t been paying enough attention to the avant garde New York art scene, or the wilder reaches of America’s right wing news outlets.

As the Guardian points out, Spirit Cooking is the brainchild of Marina Abramovic, often referred to as the godmother of performance art. “The act of spirit cooking involves Abramovic using pig’s blood as a way of connecting with the spiritual world, to cook up thoughts rather than food. A video of the practice shows her writing various statements with the blood, such as 'with a sharp knife cut deeply into your middle finger eat the pain'.”

So far, so niche.

However the problems begin when Abramovic emails Clinton’s campaign chairman John Podesta and his art collector brother to invite them to a private Spirit Cooking performance. In the wrong hands and in the wrong context this invitation could of course be deliberately misconstrued as something else entirely.

Enter Wikileaks.

The Spirit Cooking hashtag was introduced to the world by Wikileaks on 4 November in the latest in its series of releases of John Podesta’s emails. To make the revelations all the more salacious, the tweet was accompanied by a screengrab of Abramavic’s graphic explanation of what a performance consists of. And it achieved its objective. Having been thrust into the cauldron of social media activity, it was frantically retweeted. It’s now been retweeted nearly 9,000 times.

What’s most fascinating about this though is the incredibly short shelf life of the tweet – and the places it appears to have had the most impact.

The graph below shows how the hashtag #spiritcooking achieved incredible reach incredibly quickly.

The initial Wikileaks tweet was fuelled by support from a range of right wing commentators. The most popular being Mark Dice whose first tweet on the subject has now had over 13,000 retweets and 24,000 likes.

Dice continued to fan the Spirit Cooking flames with a series of incendiary tweets in the next few days: “A vote for Hillary is a vote for Satan. Literally” and “A vote for Hillary is a vote for eating 'cakes of light' baked with semen, blood, and breast milk.”

Digging further into the social analysis of this very odd event though, we find something truly fascinating. Spirit Cooking may have been a flash in the pan, but analysing the states where the Twitter activity had the most impact reveals a remarkable pattern.

The states where the tweet had the most impact were (in order):

Texas

California

Florida

New York

Pennsylvania

North Carolina

Ohio

Georgia

Removing the safe states of Texas, California, New York and Georgia, we’re left with four of the swing states that were absolutely crucial to Trump’s victory: Florida, Pennsylvania, North Carolina and Ohio. So, four of the eight states where this fantastical story achieved the most traction were states which played a crucial role in delivering a victory for Trump.

Coincidence?

Obviously it would be foolish to say that #spiritcooking was solely responsible for delivering those swings and putting Donald Trump in the White House. The myriad reasons for Wednesday’s results are rightly being poured over in microscopic detail in any number of other media outlets. However what we can see is that if attacks like these are part of a wider narrative they can have real impacts on behaviour.

Looking at these figures combined with the turnout data (only 55% of people voted) and data which shows that what we witnessed wasn’t a surge in support for Republicans but rather a decline in support for Democrats (see below), we can see what happens when you put doubt in the minds of voters and make them question whether they want to vote for “their” candidate.

The entirely fabricated Spirit Cooking scandal then provides us with an important lesson about how social media (and social media users) can be manipulated to spread an entirely false narrative – and to spread it to absolute key geographical areas.

Beyond this, much has been made recently of the concept of the filter bubble, the extent to which our social profile shields us form opposing voices and viewpoints. By this rationale I would have expected my carefully constructed social media bubble to protect me from the wild theories of the most right wing of US commentators. But no. On the night after the result was announced two friends’ Facebook conversations descended into discussions of the Clinton ties to spirit cooking, paedophilia, satanic rituals, murder and child abduction. This example also shows us then what damage can now be done in just one day of frantic Twitter activity.

As part of the post-election soul searching, very serious questions are being asked about the role of social media in spreading fake news stories. Mark Zuckerberg himself has been forced to reiterate his position that Facebook is a technology platform, not a news platform and to make the slightly confused argument that it doesn’t have the power to affect public opinion or influence behaviour – despite telling brands exactly the opposite story when accepting their advertising cash.

Looking back, perhaps Podesta did make an error involving himself in something like Spirit Cooking. But, following a major retrospective at the MOMA in 2010 (and a resulting video which has now been viewed over 14 million times), Marina Abramovic’s work is now so mainstream that this should never have been a story. We can only wonder what would have happened had Podesta been invited to a weekend away with Viennese Actionist Hermann Nitsch.

Stuart Aitken is head of content at DigitasLBi and tweets @stuart_aitken

Sours: https://www.thedrum.com/opinion/2016/11/15/the-spiritcooking-effect-how-junk-news-goes-viral-and-influences-election

Spirit cooking is what

Curtains, and now, as if playing, it was annoyingly shining into the eyes of the sleeping girl. She twisted her head, trying to keep the remnants of sleep, but it was all in vain. Christina opened her eyes, stretched sweetly and lifted her legs to touch. The wall behind the headboard.

#SpiritCooking As Explained By The Simpsons Treehouse of Horror V

"How much you can" - flashed through her head. Suddenly she felt someone's hands on her hips. And someone's cock in a businesslike way quickly penetrated her from behind.

Now discussing:

In short. I went down, and she pushed me lightly with her hand, turned her head and said something. And then he sees that I don't understand and I'm climbing in the wrong place again, she took my slippery penis herself.



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